Art During the Great Depression Was Not All Depressing

Lord Heal the Child by Thomas Benton (1934)

Benton contributed to the regionalism movement. He painted all over the Midwest, which is likely where this piece was created. He often used the plight of poor people, as well as African Americans as his subject matter. He liked to portray Americans doing their thing. Benton was commissioned during the depression to create large paneled murals for universities and government buildings. Some of his pieces are now being questioned today due to his depiction of KKK members in full regalia. He was also very opposed to abstract art (Artnet).

This piece is related to the great depression because it was created right in the middle of it. The great depression is associated with loss and sadness. However, this piece depicts a happy church event. The people do not appear to be well off, yet they are happy. Christianity was and remains very important to the people in the Bible belt states.

One of the aspects I like about this piece is the lighting off of the single lamp. It appears to be evenly cast and quickly diminished in intensity. The color use is also warm with the dresses worn by the women. It just looks friendly and easy to admire. The coloring is not complicated or busy. As the same time, there is a almost gritty detail in the clothing and floor. It helps me to imagine what it feels like- which I imagine is course. Lastly, the woman standing over the girl appears to be the main subject, though the title suggests it is about the girl. I wonder what the intention of this would be. My only thought is that it helps to show the sense of community that still remains strong during the depression.

The Riveter by Ben Shahn (1938)

Like the above piece, this was created during the great depression. Shahn also painted with his own style of realism. His works were inspired by the politics of the new deal and social injustices. This piece was likely pained in New York, where he lived. The idea of people going back to work was an incredibly motivating theme for Shahn. The meaning of this piece is to display how important American craftsmanship and trades are. Trained individuals who work are an incredibly important resource (Luong).

This piece is motivating to me. This type of work required long hours. It is hard and intensive. The only alternative was to starve. In that sense, I have great respect for these people- and I think that was one of the intentions of this piece. The coloring in this piece is very basic. The only detail appears to come from slight shading and specific use of brush strokes. In the background of the buildings skeleton, the detail is far less. It does help to create a sense of depth. I do like the simplicity of the shading and colors and how they build on one another. The rivet gun is the most detailed piece, which draws my attention to it. The man has a neutral expression- which is something I noticed about Shahn’s other pieces. I wonder if he likes to have the only emotion be expressed by the viewer.

Untitled (Pensive Black Man) by Seymour Fogel (1936)

Like the previous two pieces, this piece falls under realism. I am not sure where this piece was created, but it looks like it was not commissioned and was a piece done at home. Unlike the previous two pieces, it depicts hopeless despair. This man is facing hard times. Even the newspaper wording “Attack” leaves him unhopeful. There is nothing to look forward to in the future. Fogel was like many other artists that created works that the government commissioned in order to keep art alive during the depression. This piece depicts that day to day like was miserable for Americans (National Gallery of Art).

The detail in this piece is incredible. I really like the shading done in the clothing. It gives an incredibly rustic feeling to me. Even the plaid button up shirt shows some depth to it which is reinforced by the naturally curved lines of the pattern. The work ‘ATTACK’ in the newspaper is reverse, and I am not sure why that it. I do think it has some significance though, because that was intentionally done. There is not any lighting per say, but the mans left hand is incredibly white and not detailed. His shirt cuff is also not drawn. This makes me wonder if the piece is unfinished, because it looks odd and unfinished. Either way, I can feel this man’s despair. There is a sense of depth given by the continuance of the apartment complex behind the man, though it is not easy to notice. It may help to convey that there are many other people in an identical room and situation.

Art during the depression survived largely in part thanks to the federal government commissioning so many pieces. Realism flourished because there was a lot of subject matter. An artist would not have to look very hard in order to find the effects of the great depression. There was misery everywhere and that was conveyed through art. The first piece shows happiness and a sense of community. Some artists felt that showing it was still possible to be happy was important and I am glad they looked harder to find these scenes.

References:

Artnet. Thomas Hart Benton. 2019. Document. 12 July 2019.

http://www.artnet.com/artists/thomas-hart-benton/

Luong, Henery. SlidePlayer. 2019. Slide Show. 12 July 2019.

https://slideplayer.com/slide/5748230/

National Gallery of Art. Art and the Great Depression. 2019. Document. 12 July 2019.

https://www.nga.gov/education/teachers/lessons-activities/uncovering-america/great-depression.html

3 thoughts on “Art During the Great Depression Was Not All Depressing

  1. Great blog, the pictures you used definitely show the Great Depression, especially the last one, the look of despair and defeat is written all over him, you can only imagine that is how everyone was feeling at that time. Great Job!

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  2. Hi John
    This first piece you chose looks almost sinister to me. Everything from the subject matter, to the weird postures and expressions on the faces of the subjects, to the lighting and color pallet, makes this painting feel very creepy. I definitely agree with you on the way the lighting is depicted, the artist really nailed the colors and shadows that would be produced by a single oil lamp, and while it’s not intended to be perfectly realistic the more intangible feel of it is definitely there.

    In my day job one of my responsibilities is ergonomics, so when I saw the second piece you chose my immediate instinct was to think about how I would correct that persons work environment to help reduce the risk of injury to their elbow, shoulder, and neck. Once I get past the ergonomics the part of the painting that keeps drawing my eye is the rivet-gun, I really like the way it looks like it was sketched, then inked, then painted. I’ve always like that look, and here it manages to capture many of the interesting shapes and curves of the tool, and the colors give it a sense of being old and worn.

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  3. I enjoyed all the detail and thought put into this blog. It is intriguing in the first piece by Thomas Benton how there seems to be only one light source, but it is still able to light up the whole room. I feel like there is some symbolism there about light being shed on such a dark time. In your second piece, I like how you pointed out that this painting could’ve been motivation for people in the workforce. I do like the coloring of it though and how a lot of the colors are neutral, but the bars in the back and the cord of the rivet gun stand out. Lastly, in the third piece you chose, I like how much emotion the artist was able to portray just through a simple (but detailed) drawing. Now that you pointed it out, it does look a little unfinished, but it doesn’t take away from the despair the man is feeling.

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